
This multisensory installation, rooted at the intersection of cinema and visual art, marks the 25th anniversary of Alejandro G. Iñárritu’s legendary debut feature Amores Perros (2000). Over a million feet of film were left behind on the cutting room during the film’s edit. A selection of these never-before-seen fragments has been excavated from the archives for the first time, and they are illuminated here by an assemblage of 35mm projectors, forming a mosaic of celluloid and sound bites of Mexico City collected over the last decades. Stripped of all narrative, the installation is not a tribute but a resurrection—an invitation to experience what never was. Drawing on the raw power and visual poetry of imagery left behind long ago, SUEÑO PERRO presents film as living material—one that is composed of time, light, and space—prompting us to ask: How many films exist within a film?

The Director and the Jedi

Project Almanac

Burden of Dreams

Cameraperson

Unknown Dimension: The Story of Paranormal Activity

Jaws @ 50: The Definitive Inside Story

Maria by Callas

Dora and the Lost City of Gold

The Pervert's Guide to Cinema

A Woman of Paris: A Drama of Fate

A Complete History of My Sexual Failures

Original Sin
Birdman or (The Unexpected Virtue of Ignorance)
2014