Reviews
Overview
Psycho (1960) by Alfred Hitchcock and Psycho (1998) by Gus Van Sant collide in a frame-by-frame editing that assaults the eyeballs and assassinates the normative consciousness of the viewer. The footage seems to penetrate us, as though it was a knife or a threatening phantasmagorical entity. The fast succession of single frames and extremely short audio files produce afterimages and aftersounds—entoptic and endaural phenomena—creating a film that does not happen on the screen, but in our brain cells
![End Roll [2.58.11]](https://image.tmdb.org/t/p/w500/dD1uvmVihaGB92IudRwYbDwHwWo.jpg)
