5.2/ 10
Reviews
Overview
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
![Le cake-walk: Nègres, [I]](https://image.tmdb.org/t/p/w185/dJFO5fZ3ZzbAJ8RUQOieNVI7zwS.jpg)
![Le cake-walk: Nègres, [II]](https://image.tmdb.org/t/p/w185/ec33WzS7EFJ6wPtVvrkDAhdf61k.jpg)
