Pai Hsien-yung has lent Chinese-language literature some of its most colorful and most memorable characters, and served as the inspiration of multiple generations of artists working in mediums as different as television, film, and theatre. From the youthful air of the Modern Literature magazine, which he helped launch at the age of 22, to the humanistic sincerity in his recent works My Father and the Republic and Healing the Pain, Pai looks back on his 29 years teaching at Santa Barbara, a four-decade relishing of Guilin rice noodles, and a return visit to the gardens of Suzhou after 10 years. Through the darkened realm of the stage, to the countless lectures and courses he taught, Pai has been at the forefront of literature for multiple generations, with his unique blend of resilience and tenderness reverberating through the film, and bringing audiences closer to his warmth as a novelist.

A History of Erotic Art

Les chiens-loups

102 Years in the Heart of Europe: A Portrait of Ernst Jünger

100 Years of Ulysses

The Book of Conrad

Who's Afraid of Kathy Acker?

Thomas Hardy: Fate, Exclusion and Tragedy

England: Background of Literature

Milan Kundera: From the Joke to Insignificance

Flannery

Im Märchenwald der Gebrüder Grimm

The Beach - San Francisco’s North Beach in the 50s