
The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels, the viewer sees Acconci and Kathy Dillon sitting alone in wooden boxes in different rooms, each facing a static camera. Although they can only see and hear each other on separate monitors, they attempt to interact and respond to one another directly, as if their communication were unmediated. Through language and gesture, Acconci tries to manipulate Dillon's actions from his box, as though by remote control.

Marina Abramović: The Artist Is Present

Naqoyqatsi

In the Realms of the Unreal

My Mom Jayne

Halloween: 25 Years of Terror

Avatar: The Deep Dive - A Special Edition of 20/20

Extremis

A Toxic Love Story

The Class of ‘92

Harry Dean Stanton: Partly Fiction

The Making of 'Terminator 2: Judgment Day'

The Crystal Calls - Making The Dark Crystal: Age of Resistance
Turn-On
1974