

DocAlliance FilmsMania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.

Come See Me in the Good Light

Directed by John Ford

My Mom Jayne

Marina Abramović: The Artist Is Present

Naqoyqatsi

Seduced and Abandoned

Anna Nicole Smith: You Don't Know Me

Charlie: The Life and Art of Charles Chaplin

Harry Dean Stanton: Partly Fiction

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

Struggle: The Life and Lost Art of Szukalski

McQueen
From Tehran to London
2013