4.0/ 10
Reviews
Overview
As an extension of his INDUSTRIE/INDUSTRY project, Richard Kerr furthers his appropriation of feature film trailers, formally reconstructing their cinematic language. Monochromatic French film trailers from a bygone era provide the source material, and here the actions of the actors are secondary to the physical movement of celluloid. A brilliant formalist montage of wipes creates an awareness of film motion and rhythm.
