

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

Jiří Bělohlávek: But I just love conducting so much

The Thomas The Tank Engine Man

The Perfect Crime: Leopold & Loeb

Peter Lorre: The Master of Menace

Alain Delon, a unique portrait

A Very Good Boy

Drawn from Memory
Grenzpunkt Beton
Hitchcock, Selznick and the End of Hollywood

Rope Ladder to the Moon

Fernando Pessoa

Friz on Film
Christel Anders
Self