Reviews
Overview
The understanding of domestic, cyclic time-space in Ozu Yasjirō’s cinema takes material form in Hara Setsuko, “The Eternal Virgin”, woman-actress-character-myth constantly alone in the frame, accomplice in an attack against the classical understanding of raccord.
![Excerpts I [Though I now depart...]](https://image.tmdb.org/t/p/w185/wSCJm1hJnpyPojkGRpRPuPrV15c.jpg)
